When a video from the past resurfaces, it often comes accompanied by fresh judgments. That’s exactly what happened to actress Aneet Padda, star of Saiyaara, when an old clip of her went viral and triggered accusations of hurting Muslim sentiments. But is the backlash justified or a misreading of artistic expression

The video reportedly shows Padda reciting or singing the Urdu poem “Lab Pe Aati Hai Dua” in a lyrical manner. Some social media users claimed the rendition crossed a line into disrespect, interpreting it as mockery rather than poetry. Others, however, rushed to her defense, arguing the piece is a well-known poem by Muhammad Iqbal frequently recited in schools, and not a religious hymn exclusive to Islam.

This divide points to deeper tensions: when does creative expression become offensive? In Padda’s case, the clip is old likely recorded during an earlier phase of her career, perhaps as part of a performance or audition. The actress has not yet made a detailed public statement on the controversy, leaving room for speculation and both criticism and support to swirl.

Supporters argue that the piece is being weaponized by critics who wish to stir outrage, failing to acknowledge nuance and context. They emphasize that poetry, especially in Urdu literary culture, often straddles religious and secular lines. Meanwhile, those offended believe that public figures must exercise greater sensitivity in how they present material tied to faith.

It is worth asking: should artists self-censor to avoid misinterpretation in today’s charged environment? Or should audiences be more forgiving of context and intention, particularly when the work in question is not inherently religious? The choice of rendition, tone, and setting matter heavily in such debates.

Ultimately, the Aneet Padda episode highlights how fragile the boundary is between homage and offense in a religiously diverse society. Whether this becomes a career setback or just a storm in a teacup depends on how she and her critics navigate the conversation.